Exsultemus is a small early-music ensemble — and a journal alongside it — devoted to Renaissance and early Baroque choral music, sung the way its composers might have recognised.
Music written before the metronome moves differently. It breathes with the words rather than counting against a fixed pulse, and it was made for rooms with stone walls and no amplification. Singing it as though it were nineteenth-century choral music flattens almost everything that makes it worth hearing.
Motets, madrigals and the music of the long sixteenth century.
Small rooms, natural acoustics, no amplification.
Singers on blend, tuning and breathing as one.
Where this music came from, and what it meant.