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LEIPZIG: Baroque cantatas by Schelle, Kuhnau & J. S. Bach
Sunday, February 21, 2010 at 5:30pm
First Lutheran Church of Boston

While Johann Sebastian Bach is undoubtedly one of the most famous Baroque composers, he was preceded at his most illustrious post as Kantor at the Thomaskirche in Leipzig by two distinguished and talented musicians, Johann Schelle and Johann Kuhnau. Exsultemus explores works by these composers alongside Jesus nahm zu sich die Zwölfe (BWV 22), one of Bach's test pieces for the position. Read more...
Teresa Wakim, soprano
Thea Lobo, mezzo-soprano
Jason McStoots, tenor
Ulysses Thomas, baritone |
Laura Gulley & Jesse Irons, violin
Joy Grimes, viola
Gonzalo X. Ruiz, oboe
Tom Zajac, early trombone
Audrey Cienniwa, cello
Bálint Karosi, organ |
Tickets: $15, $25, $35; $5 off for students and seniors (reserved seating)
Purchase tickets online, at 857-998-0219, or at the door 30 minutes before the concert
Renaissance Series
Josquin
and his Legacy
Friday, October
30
at 8pm at Union Church in Waban
Saturday, October 31 at 8pm at University Lutheran Church in Cambridge
Sunday, November 1 at 3pm at First Lutheran Church of Boston
Music of the Renaissance is often exemplified by the styles of two musical giants—Josquin des Prez at one end and Giovanni Pierluigi da Palestrina at the other—with little attention paid to the composers who comprised the “lost generation” that came between them. Exsultemus pays homage to Josquin des Prez, and to a selection of composers directly influenced by Josquin, bridging the gap between the styles of these two masters in a program of music performed by six male voices, with sacred motets by Moráles and Clemens non Papa, chansons by Mouton, Richafort, Lupi, Arcadelt, and le Jeune, as well as Gombert’s moving lament on the death of Josquin, Musae Jovis.
Lamentations
Friday, January 15
at 8pm at Union Church in Waban
Saturday, January 16 at 8pm at University Lutheran Church in Cambridge
Sunday, January 17 at 3pm at First Lutheran Church of Boston
The
Lamentations of Jeremiah appear in the old Catholic liturgy
only once a year—during Holy Week—but the vivid imagery of the
texts became a favorite source of inspiration to Renaissance
composers.
Settings of the Lamentations became as popular as
Masses, Magnificats, and Requiems, with the most famous
examples by Tallis and Victoria
. Exsultemus rekindles the inspirational spark of this
music with lesser-known Lamentations settings by Brumel,
Burmudez, White, Ferrabosco, and Palestrina, plus La Rue’s
interpretation of the Lamentation of David over Saul and
Jonathan, and Andrea Gabrieli's déploration for Willaert.
Las
Ensaladas of Mateo Flecha
Friday, May 14
at 8pm at Union Church in Waban
Saturday, May 15 at 8pm at University Lutheran Church in Cambridge
Sunday, May 16 at 3pm at First Lutheran Church of Boston
The
“musical salads” of Catalonian composer Mateo Flecha are the
subject of Exsultemus’ newest program celebrating music of the
Iberian
Peninsula
.
This fascinating collection of pieces for four and five
voices mixes humor, Biblical verse, and dance rhythms to
create rousing miniature masterpieces that were among the most
popular music of 16th-century
Spain
. Be
sure to mark your calendar for this thrilling program for
voices and percussion with guest artist Tom Zajac.
Baroque
Series
Our popular
Baroque concert series returns to the First Lutheran Church of
Boston for a second season of unique vocal and instrumental
chamber music and organ and harpsichord solos by prize-winning organist Bálint
Karosi
. Concerts take place at
5:30pm and last approximately one hour without
intermission.
HAMBURG:
Bernhard, Weckmann & Telemann
September 27 at 5:30pm at First Lutheran Church of Boston
One of the most important musical centers in Germany, Hamburg was home to some of the most influential composers of the Baroque era. Join us for a sampling of the remarkable Italianate songs of Christoph Bernhard, an extraordinary cantata by Matthias Weckmann, and two of Georg Philipp Telemann's cycle of church cantatas, composed for Hamburg's Johanneum in the style of those Bach composed for the Thomaskirche in Leipzig.
DARMSTADT:
Briegel & Graupner
December 6 at 5:30pm at First Lutheran Church of Boston
The court at Hesse-Darmstadt in Germany boasted an active musical life, as evidenced by the extensive catalogues of chapel masters Christoph Graupner, who was the preferred choice over Bach for the position at the Thomaskirche in Leipzig, and Wolfgang Carl Briegel, Graupner's predecessor in Darmstadt. Exsultemus presents a selection of rarely-performed Christmas cantatas by these talented composers.
LEIPZIG
:
Schelle, Kuhnau & J. S. Bach
February 21 at 5:30pm at First Lutheran Church of Boston
Johann Sebastian Bach, perhaps the most famous Baroque composer today, was only one of many distinguished musicians to hold the illustrious post of Cantor for the major churches of Leipzig. Join us for an exploration of works by Bach's predecessors Johann Schelle and Johann Kuhnau, plus a performance of Bach's test piece for the position, Jesus nahm zu sich die Zwölfe (BWV 22).
DRESDEN:
Schütz, Heinichen & Zelenka
March 14 at 5:30pm at First Lutheran Church of Boston
The music of 17th-century Dresden is perhaps best epitomized by the works of Heinrich Schütz, doubtless the most well-known composer to work for that court. Schütz's music was heavily influenced by his journeys to Italy, as well as by his devotion to his own vernacular. Acclaimed vocal ensemble Exsultemus presents a special Lenten program from Dresden, including Schuüz's Seven Last Words of Christ on the Cross, plus Heinichen's Nisi Dominus for soprano and oboe and responsories by the Bohemian composer Jan Dismas Zelenka.
PERGOLESI: Stabat Mater plus works by Carissimi and Sances
April 18 at 5:30pm at First Lutheran Church of Boston
There are few works more profound than Giovanni Battista Pergolesi's Stabat Mater, which was published more than any other piece of music in the eighteenth century. Written just months before his untimely death at the age of 26, Pergolesi's monumental composition for soprano, alto, strings, and keyboard vividly depicts the anguish of the Virgin Mary witnessing the death of Jesus on the cross. Acclaimed Boston vocal ensemble Exsultemus pairs an intimate performance of this work with music by Giovanni Felice Sances, Giacomo Carissimi, and Arcangelo Corelli.
Dates, times,
locations, and programs are subject to
change.
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